- cross-posted to:
- brainworms@lemm.ee
- technology@lemmy.world
- cross-posted to:
- brainworms@lemm.ee
- technology@lemmy.world
cross-posted from: https://lemmy.world/post/12029451
Spotify just changed their TOS, giving them unprecedented rights to create “derivative works” from audiobooks
They frame it as though it’s for user content, more likely it’s to train AI, but in fact it gives them the right to do almost anything they want - up to (but not including) stealing the content outright.
I don’t think it’s being manipulative, because it is extreme
This could mean, they could rerecord your book and sell their recording, or use the recording to make commercials, or any number of things you might find objectionable. There are no limits in the text of the TOS.
If my competitor tried this I would advertise that I don’t abuse my customers too.
I don’t think either of us are lawyers, so disputing the exact meaning of words in a contract is an invitation to nonsense.
I do know that rerecording and selling the copy would require them to have more copyright rights than would be called a limited license.
It’s manipulation because they’re overtly stating “we’re not sure what they’ll do, but it’s probably so they can train AI on your books and make infinite shitty clones”. That’s emotionally manipulative, just like the title of this post.
The site itself has a clause in their public tos that gives them license to “worldwide license to reproduce, make available, perform and display, translate, modify, create derivative works from (such as transcripts of User Content), distribute, and otherwise use” the books they publish, they just phrase it in plain English.
I’m not a lawyer, so I don’t know how substantial the difference is between the terms. It seems to me like both grant the distributor the right to make copies, sell them, make changes and advertise with the authors works.
This is an advertisement for a platform, trying to make you fear their competition. Any time they seem to make a solid claim, they couch it in a hypothetical or quote someone else. They make it clear that they don’t actually know what the license says, just the “plain reading” “appears” “at a glance” “to seem” to have no limits.
It’s inflammatory, manipulative, and trying to get right up to the edge of libel without actually doing so.
I’m not a lawyer you are right, but I do deal with CCDC contracts as part of my job. A big part of the scope of a contract is what it includes and what it states it excludes. Exclusions usually come when there is some sort of implied inclusion in another part of the contract, as an example a term like “will be made to interoperate with” might imply a contractor would provide power circuits, licensing, subscriptions etc, and the exclusions would state that recurring expenditures would be outside the scope of the contract or something.
The storyfair terms are specifically referencing and including activities storyfair is accomplishing, and only referencing things that are specifically to accomplish selling the piece of media.
The Spotify terms are granting Spotify partners the ability to use the media in an unlimited and derogatory way, it’s specifically including “irrevocable”, “sublicencable” and “transferable”. These three words are actually huge changes in the terms.