Yup, I think a lot of people avoided the movie because there’s an obvious proximity to current events that’s just too stressful for casual viewing, but I think they did a pretty tasteful/artistic job making the politics of the narrative vague and even a little subversive. It ends up keeping you focused on the details because you’re looking for those clues, but ends up putting you in the shoes of the journalists, trying to piece together a political narrative that you can’t quite see in the moment while you’re being bombarded with the horrors of war and armed conflict. I love that part of the movie, because it presents that tension of what they’re there to do as journalists - taking pictures to catalogue a larger narrative as the soldiers they’re following lay dying in the fog of war and unable to clearly see the bigger outlines. The viewer ends up feeling a little resentful of the journalists, because they seem a bit uncaring about the horrors they’re witnessing in service of getting the chance of capturing history.

That’s also why I got a little worked up seeing it mentioned in this thread… op was doing the thing the movie was clearly going out of its way to prevent. Idk. The movie is great and I hate seeing it used as an inflammatory political statement.