(I didn’t, largely since I’ve never watched a single episode, but the psychic damage and whiplash of Wholesome Pony Show having said this line was too fuckn much for me)
EDIT: More replies than upbears now. It’s probably an official struggle session now (although most of it is that one person). One must imagine SisyFEWs happy.
MLP also had the anticommunist episode where Pony Stalin’s equal society was just about crushing everyone’s individuality and suppressing free speech, classic lib shit.
I had this long writeup back in the day about the show’s politics, it’s all basically what liberals fantasize society would be like if only the right people were in charge. All forms of social strife are resolved by good faith arguments in the market of ideas, all of the problems inherent to capitalism have somehow been solved (presumably by the immortal absolute monarch), there’s a lot of talk of individuality and freedom but there’s this strangely essentialist “finding your place” aspect to it where everyone is deeply fulfilled by their career and nobody is exploited even though there is noticable economic inequality.
Still loved the first few seasons of it despite being annoyed by its politics though.
I’ll always have a soft spot for it because it was a cute and happy show that I watched during a very dark and isolating time in my life, but goddamn if it doesn’t have just the absolute worst fucking values in retrospect. It’s not the worst thing liberals have made, certainly, but it is exactly what you said: just peak liberal fantasy where monarchism is fine as long as it’s nice and a horribly inequitable society is charming and happy so everything’s fine.
Pony Stalin
is this site trying to turn me into an MLP fangirl now
Pony Stalin
Aren’t the ponies assigned to various jobs at birth or something? Like they have a magical inclination to be lower class or whatever.
I’ve never watched this cartoon and I don’t know shit but from the little I know about their society it did seem like a capitalist realism framework
Every pony has a “special talent”, and when they learn what it is they get their “cutie mark” on their flank which relates to it. It’s fine on its own as a metaphor for growing up and finding yourself, it’s just that combined with the show’s uncritical depiction of capitalism you might find yourself wondering something like “what if a pony’s special talent is something they can’t get paid for doing” or “where did the fashionista pony get the startup capital for her dressmaking business”.
The show mostly sidesteps questions of exploitation by depicting every main character as an artisan with no employees, except for the occasional villain who may have minions.
you might find yourself wondering something like “what if a pony’s special talent is something they can’t get paid for doing” or “where did the fashionista pony get the startup capital for her dressmaking business”.
Or “what the Hell is Fluttershy’s business model? Do the animals have money?”
The show mostly sidesteps questions of exploitation by depicting every main character as an artisan with no employees
The “fashionista pony” does have employees, albeit in her Manehattan boutique instead of her studio in Ponyville.
Also, Pinkie Pie is an employee of Mr. and Mrs. Cake.
I knew Pinkie worked for the cakes, but the Rarity employees are news to me. Is that from a later season?
Yeah, that subplot was introduced around season 4-5 I believe.
From the shape of this pony’s skull we can see they are a rainbow flutter shy
The HOI4 MLP mod (which is, by far, the best made HOI4 mod) has Our Town join the larger more successful communist state of Stalliongrad, which it bordered.
Wish I could’ve read that writeup. It sounds good.
a post about my little pony in 2023
over 100 comments
I NEVER MEANT FOR THIS
:jensen:
Applejack (the pony highlighted in the image) is on the settlers’ side in that episode
Fucking labor aristocrat
I spend all day toiling in the meme mines and this is how you repay me
She’s angered she can’t simply do as Granny Apples did and burn down the rest of the buffalo villages for more orchard space.
Apple Jack is giving Twilight Sparkle the evil eye because she just lent her her copy of “Hammer and Hoof: Ponyville Communists During the Great Depression” but doesn’t seem to have even read it or any older works by writers like Kyüti Marx.
Kyüti Marx
Starlight Glimmer did nothing wrong!
centrism is when the inconvenient fact of the indigenous people who cared about the buffalo population aren’t even worth a mention.
(it occurs to me the possibility that the buffalo are explicitly a stand-in for indigenous people, but please don’t try to tell me that makes it better. otherwise, i’d like to show you a picture of some random frankish warrior and tell you that both the mongols and the europeans have use of the european peninsula. lottttta different nations and peoples to be mashing together into one representative that can’t have revolutionary intent right there.)
Unfortunately I regret to inform you the buffalo are native stand ins yes. The show is… Exceedingly bad about racializing characters.
There is for instance one zebra character on the show. Her introductory episode was about everyone doing racism towards her. She lives in a Darkest Africa themed voodoo shack in the middle of the Bad Forest, speaks in rhyme, and has gold bands around her neck. She was introduced in season like… 2, and the show ended on 9 seasons, and no other characters as racialized as her showed up
Didn’t realize there was shit that blatant in it.
Honestly makes me surprised we haven’t already had like 5 “BreadTubers” make “Takedowns” of the show. I’ve never watched and episode so idk wtf its even about besides ponies.
I think it predates the rise of Breadtube by long enough that it’s not really worth going back to. Friendship is Magic isn’t even the most recent My Little Pony show anymore, the new one started in 2021 and is 3D animated.
Man I really wasn’t online back then
Settlers: the myth of the pony proletariat
Equestrism: The Highest Stage of Clopitalism
Its utterly ahistorical and revisionist, but at least serves to try and smooth the contradiction between working-class migrants and their native peers. Its also a children’s TV show, so if you’re not getting the full dialectical history of three centuries of Western Frontier politics… eh.
At some level, kids TV should just steer clear of this shit entirely, because you’re not going to do it justice. But of all the shows I’m going to shit on for being liberal propaganda, MLP is trending towards the bottom of the list. I wish they had just… not. But also I live in a liberal hellscape so I’m not going to cry over a relatively minor offense.
I dunno, Molly of Denali did a pretty good job of presenting it.
https://en.wikipedia.org/wiki/Molly_of_Denali
Molly of Denali (stylized as MOLLY of DENALI) is an animated children’s television series produced by Atomic Cartoons in association with WGBH Kids, created by Dorothea Gillim and Kathy Waugh for PBS Kids and CBC Kids. It premiered on July 15, 2019, and is the first American nationally distributed children’s show to feature an Alaska Native as the lead character. Thirty-eight half-hours were produced for season 1, which has a 50-minute special as its season finale.A special live-action segment filmed in Alaska airs between the two 11-minute story segments.
On April 6, 2021, it was announced that the show had been renewed for two more seasons, whose second season premiered on November 1, 2021, and ended on October 10, 2022, after 14 episodes. The third season premiered on November 7, 2022.
glad to know PBS Kids is still green-lighting new shows
PBS my beloved (my parents did not pay for cable)
The hatred of My Little Pony’s was the precursor to modern online fandom discourse. People’s online response to this show (good, bad, or indifferent) warped how the internet talks about fandom in a major way and online culture as whole in a lesser extent.
The show’s sudden widespread popularity always felt like a western version of Japanese otaku culture to me. People were making their own comics, fanart, radio plays, etc. It was like doujin circles. They even would stalk the voice actresses like creeps.
It’s always been interesting to me how closely otaku and western nerds will come to imitating one another without significant contact with the other. There’s like a platonic ideal of weird creepy nerd they’re all drawing from in the ether. They even have their own weird fascist contingents. Japan invented incels too like in the 80s.
Really makes you wonder. This has to be the latest iteration of a longstanding phenomenon, yeah? Cus I just cannot imagine that sort of personality was just spontaneously generated by access to the internet.
I mean this painting exists
I’ve always thought there had to have been weird obsessives in like 1850 who spent too much time on the telegraph
You’re always clacking away at the teleprinter, why don’t you go out and make some friends?
My hypothesis is that Japan just figured out how to turn fandom into an obsessive toy-buying culture earlier than America did. If you go back to something like, for example, the early days of the Star Trek fandom, there was a lot of friction between the creators of that show and its consumers. They were trying to ban fanfiction and conventions and shit.
Meanwhile Japan figured out that you could capture the fandom pretty easily, sell them infinite low quality figurines and posters, and turn them into a massive army of free advertisement and hype. Nowadays it’s standard practice to do this stuff, although the American version of it ups the ante from the Japanese version, with fandoms developing not just for specific shows and characters but franchises and entire companies.
The hatred of My Little Pony’s was the precursor to modern online fandom discourse. People’s online response to this show (good, bad, or indifferent) warped how the internet talks about fandom in a major way and online culture as whole in a lesser extent.
Look in this thread. The old tiresome “X is for babies” symptomatic
wriggling is on display. What the hell have I wrought
I think it’s so inevitable that even bringing up that particular show is going to churn out a similar vibe to what happened in the early 2000s if someone so much as brought up furries.
Has any other fandom reached the peak that MLP:FiM did? Maybe Rick and Morty, right before the Szechuan Sauce incident embarrassed everyone who liked that show so much that they stopped wanting to be associated with it.
At the risk of setting them off again, I argue that Gambo, at its height, was like that, and unlike FiM or even R&M it had painfully mainstream saturation. It was basically impossible to exist in public anywhere with a line or a waiting room, where a TV or a magazine could be found, without “WHICH MURDERFUCKER IS ON THE IRON THRONE THIS WEEK?”
headlined everywhere, for years. I had to involuntarily learn a lot about that show during that time.Gambo! Can’t believe I didn’t think about that.
Come to think of it, that one also crashed spectacularly like the R&M one did, although it was from a failure of the show itself rather than the fans embarrassing themselves in thousands of McDonalds all across America. MLP:FiM for all its fandom’s excesses just sort of faded out.
The banker-born sexpest failson creeps that ran that show had everything going for it and still drove it into the ground with sheer fucking hubris with a side order of resentment toward Emilia Clarke because she started pushing back and didn’t want to just be their (CW: SV)
spoiler
actually-weeping-because-of-contractual-coercion SV plaything on camera anymore so they character assassinated the character then had her murderfucked as petty retaliation.
Maybe it’s rooted in weird gender coding stuff? I do find it odd the selective salty-ness of the net being weirded out by one children’s animated television show but not another. I’m not even on the “let people enjoy things” tip, but it’s just weird the show about unicorns, rainbows, and friendship gets mad hate but if it were a show about kiddos fist fighting against the forces of evil and you get a pass.
It’s always just “You are grown, you are watching a show for girls.” It’s never any valid leftist critique one could probably make in a integrious way like the original poster talking about centrism for example.
Personally I don’t rock with MLP. However, I dig lots of the new generations cartoons like “Adventure Time” and “Rise of the TMNT” which are “for boys” but no one bugs out about that. Which is kinda telling to me.
As if we all didn’t go see Barbie by the way. A movie about a product “for babies”.
Maybe it’s rooted in weird gender coding stuff?
A lot of it is, “girly” media are constantly ridiculed and villified to an extent that hypermasculine Vin Diesel shlock never is. but ima be honest here, what put me off in regards to MLP where the fedora guys fantasizing about horse ass all day.
As if we all didn’t go see Barbie by the way.
I think a recent version of “X IS FOR BABIES”
came from people that didn’t just not see Barbie (it’s fine, no one has to watch it) but made “didn’t see Barbie” into some badge of maturity (or in some cases, performative masculinity) in contrast to Oppenheimer (it’s fine, you are allowed to watch it, or not) as, once again, MATURITY™ discourse.I feel like I’ve seen both of these films by way of people’s reactions to them
I’ve actually seen neither
This is how I see most films these days
People’s response to this show (good, bad, or indifferent) warped how the internet talks about fandom and online culture.
On a positive note, though, I think it was also legitimately a gateway to questioning gender norms for a lot of people.
If the My Little Pony fandom was your gateway to questioning gender norms and eventually realizing you’re a trans woman…
…Does that mean you got horsefemmed?
Does that mean you got horsefemmed?
Who is this character? [genuine]
It’s the bottom from the bottom speak comic.
https://knowyourmeme.com/photos/2394598-pleading-emoji-🥺-bottom-emoji
Anne Boonchuy
By Jove I really am falling out of the loop with the popular cartoons nowadays, aren’t I?
The MLP fandom died because all the people who liked it because they were closeted eggs realized they could just be trans and all the people who liked it because they were closeted furries realized they could just be furries and all the people who liked it because they were closeted fascists realized they could just be fascists.
I think it was also legitimately a gateway to questioning gender norms for a lot of people.
It was a weird path to a win, but a win regardless! Living one’s truth because a cartoon helped get one there is just as valid a reason as any other in my book.
I think a lot of the backlash was rooted in misogyny. “Oh no, how dare men like girl thing”
Remember that a big chunk of the historical fandom was weirdo fascist edgelords who wanted to fuck the ponies and wrote horny violent fanfics about them. One of the longest fanfics about anything (FOE:PH) is basically “Made in Abyss but it’s ponies and set in a post apocalyptic wasteland.”
FOE:PH
Oh God, I remember hearing talk about how terrible this was and having a peek out of morbid curiosity. I made it maybe a quarter of the way through the first chapter before I had to dip out at the exhaustively described fever dream of what MRAs imagine a society run by feminists would look like.
Wasn’t there also a Fallout crossover fanfic that completely missed the humor aspect that was always present in Fallout and was sort of edgy for edginess’ sake? I never read it, but its fandom was pretty
at a glance.That was all of the Fallout crossover fanfics
The most infamous of those is the one I mentioned, Fallout Equestria: Project Horizons, but the original Fallout Equestria was also pretty bad just much, much more tame than FOE:PH was.
You said it’s related to Made in Abyss so I take it there’s a lot of
factor too. 
It predates it, but it is similar in tone and grotesqueness. Although thinking about the full depth of the problems with Made in Abyss that I covered exhaustively in a post last night, FOE:PH isn’t as bad. It’s a gratuitous, edgy spectacle that handles problematic themes poorly, but it’s merely making an exploitative spectacle of them while Made in Abyss is even worse. AFAIK most of the characters in Project Horizons are adults though, though I think there’s some nonce stuff in there too.
It’s also written for 5-year-olds though.
Mario and Pokemon are for children too and nobody gives a shit if you like them as an adult
Mario is the tale of a union man taking mushrooms and rescuing his side piece from a human trafficking dinosaur. Pokemon is about a kid winning a series of cockfights and taking down the mafia. For kids? Hardly.
Tell me how good Dragon Tales is next.
Removed by mod
MLP is literally for babies that barely comprehend language and operates as such.
You clearly don’t actually know anything about the show and you’re just going off of either your own assumptions or what other people have told you. I’d explain why you’re wrong, but I’ve dealt with enough people like you to know you’d just double down. You don’t have any good reason for believing what you believe. You just want an excuse to feel superior to other people.
Removed by mod
Histerical
There’s the misogyny! Thank you for helping prove the point of my original comment
Histerical baby shit.
In one line you managed to present an adolescent-like preoccupation with performative adulthood in a bullying way and added some misogyny!
Jeez, someone needs a reeducation in the magic of friendship and harmony…
Honestly, unless you’re talking about MLP as it existed before or after the 2010s, I just don’t see how you can conclude that so confidently. Friendship is Magic was better written than half of the shows that adults are supposed to like.
I just don’t see how you can conclude that so confidently.
“X IS FOR BABIES” dogma. Not even once.
I didnt watch all seasons of it but the first 3 seasons are a pretty fun kind hearted show. Gonna finish it one of these days.
The end of Season 3 just feels like such a great place to stop watching. Twilight learned all about friendship and became a princess, The End. Perfect. 10/10.
It was originally written by the same person who wrote Powerpuff Girls and a lot of the humor is similar in the sense that it appeals to both kids and older viewers.
the same person who wrote Powerpuff Girls
This just in: Lauren Faust being Craig McCracken’s wife was a conspiracy all along; she is actually his drag persona
(Edit: Which is to say, Faust did write for both Powerpuff and MLP, but Powerpuff was created by McCracken, not her. Both Powerpuff and MLP had teams of several writers.)
I thought she was a writer for that as well though?
I had tried to edit with a clarification that she wrote for both series but that McCracken was the actual creator of Powerpuff Girls, but maybe that didn’t load on your end.
Ah, ok. In that case I should clarify that while she wasn’t officially the show creator, I do think a lot of the writing and jokes are similar between the two.
Horses have no business on indigenous lands, were brought by imperialist genociders and destroyed the habitats.
I think horses were originally native in the Americas and only dissappeared about 10,000 years before the Spanish brought them back
So, they’re not like US settlers, they’re like Israeli settlers.
Lmao!
"My Little Lenin: A Marxist-Leninst Analysis of “My Little Pony: The Movie”
Critical support to Our Town in their fight against the Feudal-Bourgeois imperial hegemony of Equestria
bronies on da hexbear wtf
Every brony either went full fash or full communist, with nothing in between.
A recent Leading Glitter communism press release:
Unlimited genocide on the horse world
Our day is coming
Long Live Maoism-Buffaloism
If I could go back in time and retroactively erase one episode of the show from existence, it’d be this one
I’m just saying it now, the School of Friendship from season 8 is a residential school.
